masks and acting

Compliled by David Wilson

• Blair, Rhonda. 2008. The actor, image, and action : acting and cognitive neuroscience. London; New York: Routledge.
• Brown, Steven, Peter Cockett, and Ye Yuan. 2019. "The neuroscience of Romeo and Juliet: an fMRI study of acting." Royal Society Open Science 6 (3). https://doi.org/https://doi.org/10.1098/rsos.181908.
• Budelmann, Felix, and Ineke Sluiter, eds. 2023. Minds on Stage: Greek Tragedy and Cognition: Oxford University Press.
• Catenaccio, Clare. 2011. "Masks in the Oxford Greek Play 2008: Theory and Practice." Didaskalia 8: 75-85. https://doi.org/https://www.didaskalia.net/issues/8/12/.
• Coldiron, Margaret. 2000. "Trance and transformation: the relationship between the actor and the mask in balinese dance drama and japanese noh theatre." ProQuest Dissertations Publishing.
• Ekman, Paul, and Wallace V. Friesen. 1975. Unmasking the face; a guide to recognizing emotions from facial clues.A Spectrum book. Englewood Cliffs, N.J.,: Prentice-Hall.
• Emigh, John. 1979. "Playing with the Past: Visitation and Illusion in the Mask Theatre of Bali." The Drama Review: TDR 23 (2): 11-36. https://doi.org/10.2307/1145212. http://www.jstor.org/stable/1145212.
• Emigh, John. 1996. Masked performance: the play of self and other in ritual and theatre. Philadelphia: University of Pennsylvania Press.
• Goldstein, Thalia R., and Paul Bloom. 2011. "The mind on stage: why cognitive scientists should study acting." Trends in cognitive sciences 15 (4): 141-142. https://doi.org/10.1016/j.tics.2011.02.003.
• Greaves, Dwaynica A., Paola Pinti, Sara Din, Robert Hickson, Mingyi Diao, Charlotte Lange, Priyasha Khurana, Kelly Hunter, Ilias Tachtsidis, and Antonia F. de C. Hamilton. 2022. "Exploring Theater Neuroscience: Using Wearable Functional Near-infrared Spectroscopy to Measure the Sense of Self and Interpersonal Coordination in Professional Actors." Journal of Cognitive Neuroscience 34 (12): 2215-2236. https://doi.org/10.1162/jocn_a_01912. https://doi.org/10.1162/jocn_a_01912.
• Kogan, Sam, and Helen Kogan. 2010. The science of acting. 1st ed. London ;: Routledge.
• Napier, A. David. 1986. Masks, transformation, and paradox. Berkeley: University of Califormia Press.
• Stanislavsky, Konstantin, and Elizabeth Reynolds translator Hapgood. 2013. An actor prepares. London: Bloomsbury Academic, 2013.
• Young-Laughlin, Judi, and Charles D. Laughlin. 1988. "HOW MASKS WORK, OR MASKS WORK HOW?" Journal of Ritual Studies 2 (1): 59-86. http://www.jstor.org/stable/44368364.